a weekly gathering devoted to the intimate experience of storytelling
Erotic Islamic Literature
a course that preserves and celebrates the history of Islam’s erotic art and literature
We’re forgetting everything. We’re forgetting that it’s we Arabs, we Muslims, who shocked the West with our erotic texts in the fifteenth century. We invented the realm of the erotic. We’re suffering from collective amnesia.”
— Nabil Ayouch (Moroccan filmmaker) in ‘Sex & Lies’
Literature on Islam
a course that preserves and celebrates the history of Islam’s erotic art and literature
“Muslims can turn to a long written tradition, led by scholars, that saw no incompatibility between the needs of the body and the demands of the faith. From the ninth to the thirteenth centuries, when Islamic civilisation reached its apogee, literature and the erotic arts flourished.
From the nineteenth century onwards, the intellectual, political and economic decline of the Arab world seems to have proceeded in tandem with increasingly puritanical views about sex. With the advent of the twentieth century, colonisation was in any case set to impose very restrictive laws in this domain. The aim was to establish a barrier between immigrants from the West and the native women, and so to contain the ‘unbridled’ sensuality of the local population.”
— Laila Slimani in 'Sex & Lies'
What to Expect [coming soon]
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I ask god for what I want
and then I run.
Bringing the body with you: the body as sin and sensuality as a form of resistance
“The unknownness of my needs frightens me. I do not know how huge they are, or how high they are, I only know they are not being met.”
— Oranges Are Not the Only Fruit, Jeanette Winterson
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an unfinished initation (471) wolf
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the vulnerability of severance: “Guilt and shame are powerful tools of domination and control because guilt and shame’s primary functions are to shut down intution”
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Schedule
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“The space where she meets her god is intimate and womb-like, and profoundly personal. ”
“The undoing of what we never knew was done might be the greatest journey of our lives: the long walk back to the beginning. ”
meet your instructors
poet, artist, and lifelong student of spirituality, mysticism, and the soma
My work is testimony to the unity of the feminine, the sensual and the divine, refuting the interpretation that they are in contradiction with one another. I’m devoted to the intimate experiences of the Arab woman and the world around her. Through my writing and art, I investigate the religious and cultural wounds that interfere with perception, desire, and pursuits, revealing layers of existence in each body of work.